Sound cue synopsis

DTW Sound Cue synopsis - none of this is set in stone, and this is basically a preliminary idea for everything.

/ThewallofOliver'slife/
1 A murkiness, distorted low rumbles like underwater, rising fast to the surface then breaking it – the wall is air and sun and clarity and presence. Maybe wind and air for a moment until it is reeled indoors – more confined, quiet, stifled?

/Quietgreenedgesofyourworld/
2 Arguing, weaving voices competing from a certain direction on stage. They might become mission control, or space radio tattic, chatter.

/Oliverisveryyoung/
3 Arguing, louder, less like radio static more real until [OM: You go in that room...]
4 Crash, door slam, sobbing into radio static, the sea
5 Transition, moments of echo

/Ohheygoodmorning/
6 The space of YL's house
7 [YL: I'll show you.] Shower becomes the sea! Like going underwater, then back up

/You'vemademylifelikewater/
8 Okay this is the real beach. Dynamic elements, air all around, moving. Water over there, moving up then down. We'll be here a lot so cue should be long, loops undetectable, random forces of nature at play.
9 YL: Listen to this / sound like underwater, like being in love but its music, barely.
The beach blows away into YL's room

/TheGolem/
10 YL's room

/MotherLaundry/
11 Photobooth (what does this sound like/how do we get it?) becomes the sea

/Likeyourgolem/
12 “The beach is familiar but subtly different”
this beach blows away into the boys' rooms

/Oliverandhismother. Photostrip./
13 There are two rooms, the boys are becoming older. This could be the sound of the rooms but more like a wind tunnel or a draft blowing through, something you might notice but wouldn't wonder about. Alternative: no sound

/Everythingwaselectric/
14 YL's room, early morning – the world fresh, quiet, waking up.
15 YL's room, late morning, the world is awake now, maybe a bird chirps or a breeze blows. After a moment this might turn into Mars, and a moment after that it might become very quiet.
Transition to...


/YL is drawing. Oliver's sleeping/
16 Oliver's room. YL's room. Silence when OM turns off the lamp. Transition into...

/aboat/
17 The Beach
18 After [YL: You’rrrrre a column of fire and I am the seeeea. ] a rumble of thunder in the distance
19 During the fantasy, a storm, a different place than where they are. It ends with a long roll of deep thunder that might be a wave crashing down on everything. Then we're back on the beach.
20 As they push the imaginary boat out to sea, everything gets more quiet for a while.
21 The rain starts, then shifts to being heard from Oliver's room

/Oliver,his mother, and the golem/wedontactlikepeople(1)/
22 Oliver's room “Claustrophobic space”, rain
23 Rain turns into sea

/Being a golem is easy.../
24 The beach is familiar but subtly different [it might be brighter, or stormier]
25 The beach blows into the boys' rooms

/YL by himself. Pillage/
26 The boys' rooms

/IsOllieHere/
27 Oliver's house, not his room.
28 The beach, quietly, in a certain space
29 Oliver's room
Maybe a slight transition into next scene, just time passing

/Wedon'tactlikepeople(2)/
30 Oliver's room
transition into beach

/Theoceanfilledupwithsomethingelse/
31 “This scene should have a lot of space... The beach is familiar but subtly different.”
32 The ocean fills with something different, this is a transition.

/Imagine a cross section of your world/
33 A different Oliver's room, a nosier room, each sound that makes it his room in his mothers house is bigger, worse.
34 The shower, which contains echoes, which changes from a shower to a submersion, down into the depths of where we are until it stops, suddenly, leaving only a drip, drip.
35 A different Oliver's room, a quiet, bright place. A slow, cleansing tide approaches.